<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0"
    xmlns:dc="http://purl.org/dc/elements/1.1/"
    xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
    xmlns:admin="http://webns.net/mvcb/"
    xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"
    xmlns:content="http://purl.org/rss/1.0/modules/content/">

    <channel>
    
    <title><![CDATA[High Plains Films RSS: Films]]></title>
    <link>http://www.highplainsfilms.org/</link>
    <description></description>
    <dc:language>en</dc:language>
    <dc:creator>yak@highplainsfilms.org</dc:creator>
    <dc:rights>Copyright 2012</dc:rights>
    <dc:date>2012-04-29T17:14:00+00:00</dc:date>
    <admin:generatorAgent rdf:resource="http://expressionengine.com/" />
    

    <item>
      <title><![CDATA[THE LITTLE THINGS THAT RUN THE WORLD]]></title>
      <link>http://www.highplainsfilms.org/films/the_little_things_that_run_the_world</link>
      <guid>http://www.highplainsfilms.org/films/the_little_things_that_run_the_world</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/little_things_dragonfly_copy.jpg" alt="" height="60" width="108"> <p>THE LITTLE THINGS THAT RUN THE WORLD introduces viewers to a diverse group of scientists, nature lovers, gardeners, farmers, and general bug enthusiasts in exploring the importance of flying insects amid rapid declines in their numbers.&nbsp; This most numerous group of animals on the planet by far - three quarters of all species - have also been called the “glue of life” on Earth.&nbsp; They literally hold ecosystems together.&nbsp; Insects were the first animals to evolve flight more than 400 million years ago, and they survived all five of the known mass extinctions since then.&nbsp; But, there is evidence that the pace of decline among insects in parts of the world today is fast approaching the levels of previous catastrophes.&nbsp; What this means for the rest of life on Earth, including humans, is the focus of THE LITTLE THINGS THAT RUN THE WORLD.&nbsp; The film documents the mysteries of the declines along side creative and heroic human efforts to change the course of evolutionary history.&nbsp; What is causing this extinction crisis?&nbsp; What can be done to reverse the trend?&nbsp; THE LITTLE THINGS THAT RUN THE WORLD attempts to find answers to those questions and more.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2023-07-19T13:17:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[BUFFALO SHOULD BE EVERYWHERE]]></title>
      <link>http://www.highplainsfilms.org/films/buffalo_should_be_everywhere_2019</link>
      <guid>http://www.highplainsfilms.org/films/buffalo_should_be_everywhere_2019</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/buffalo_final.jpg" alt="" height="61" width="108" style="border: 0;" /> <p>The American Bison, or buffalo, once roamed free across the entire continent, but was nearly wiped out by the end of the 19th century.&nbsp; But, Native Americans and a handful of conservation groups are leading the way toward restoration of North America&#8217;s most iconic animal to public and tribal lands in the western United States.&nbsp; The tribes of Fort Belknap Indian Reservation in north central Montana are at the forefront of this effort.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2019-07-25T19:36:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[WILD SCIENCE: WILDERNESS &amp; FIRE]]></title>
      <link>http://www.highplainsfilms.org/films/wild_science_wilderness_fire</link>
      <guid>http://www.highplainsfilms.org/films/wild_science_wilderness_fire</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/wild_science_fire_jpg.jpeg" alt="" height="61" width="108" style="border: 0;" /> <p>Short film about the critical importance of wilderness fire science to understanding the complex nature of forest fires, and to informing natural resource management across all landscapes.&nbsp; Produced by High Plains Films for the Aldo Leopold Wilderness Research Institute.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2019-07-14T10:46:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[DECONSTRUCTING MONTANA]]></title>
      <link>http://www.highplainsfilms.org/films/deconstructing_montana</link>
      <guid>http://www.highplainsfilms.org/films/deconstructing_montana</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/web_thumbnail.jpg" alt="null" height="61" width="108" style="border: 0;" /> <p>Heritage Timber has been dismantling old buildings and carefully salvaging them for reuse since the early 1990s, diverting thousands of tons of useful materials from the landfill and preserving pieces of Montana history in the process.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2017-09-01T20:22:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[VOICE OF THE HI-LINE]]></title>
      <link>http://www.highplainsfilms.org/films/voice_of_the_hi_line</link>
      <guid>http://www.highplainsfilms.org/films/voice_of_the_hi_line</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/voice_of_the_hiline.jpg" alt="" height="60" width="107" style="border: 0;" /> <p>VOICE OF THE HI-LINE is a profile of KGVA in Fort Belknap, Montana, which is among a growing number of Native American-run radio stations in the United States and Canada.&nbsp; The station provides a vast remote area of north central Montana with vital information, weather, music, and education.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2016-01-25T00:26:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[TWO RIVERS]]></title>
      <link>http://www.highplainsfilms.org/films/two_rivers_work_in_progress</link>
      <guid>http://www.highplainsfilms.org/films/two_rivers_work_in_progress</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail11.jpeg" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;TWO RIVERS explores the character of change.&nbsp; The film reveals that primary characters in this story aren&#8217;t people at all, but places: the Berkeley Pit, the Bonner Mill site, the Milltown Dam, the local communities and, of course, the confluence of the Clark Fork and Blackfoot rivers. These characters have complex relationships and history that ultimately led to the climatic dam removal. Hawes-Davis and Carr largely let these places speak for themselves, with a narrative that is quiet, simple, thoughtful and often emotional.&#8221; <em>Missoula Independent</em><!-- </p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2014-06-03T11:38:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[THE BUFFALO PEOPLE]]></title>
      <link>http://www.highplainsfilms.org/films/the_buffalo_people</link>
      <guid>http://www.highplainsfilms.org/films/the_buffalo_people</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/The_Buffalo_People_2.jpg" alt="" height="60" width="108" style="border: 0;" /> <p>The tribes of the Fort Peck and Fort Belknap Indian Reservations in Montana are leaders in the conservation of wild bison in North America.&nbsp; THE BUFFALO PEOPLE documents the creation of a new conservation herd of wild bison on the Fort Belknap Indian Reservation in north central Montana - against all odds.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2014-04-01T12:59:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[MASKED BANDIT OF THE PLAINS]]></title>
      <link>http://www.highplainsfilms.org/films/masked_bandit_of_the_plains</link>
      <guid>http://www.highplainsfilms.org/films/masked_bandit_of_the_plains</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/Masked_Bandit_still.jpg" alt="" height="61" width="108" style="border: 0;" /> <p>In 1979, the last known living black-footed ferret died in captivity.&nbsp; The species was thought be be extinct.&nbsp; Following a miraculous discovery of one lone ferret colony in Wyoming in 1981, a decades-long effort began to save the most endangered mammal in North America.&nbsp; The Fort Belknap Reservation in Montana is one of the battlegrounds in the attempt to recover the species.&nbsp; With the help of conservation organizations including Defenders of Wildlife and the World Wildlife Fund, the goal of the Gros Ventre and Assininboine Tribes of Fort Belknap is not only to save the ferret, but to establish and reclaim a lost vestige of the American Great Plains, with the full compliment of animals&#8212;bison, prairie dogs, ferrets, and other prairie species.&nbsp; If they are successful, they will have created a fully-functioning natural prairie ecosystem in north-central Montana.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2014-03-06T19:00:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[THE BLADESMITHS]]></title>
      <link>http://www.highplainsfilms.org/films/the_bladesmiths</link>
      <guid>http://www.highplainsfilms.org/films/the_bladesmiths</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/cu_knife.jpg" alt="" height="61" width="108" style="border: 0;" /> <p>In an era of outsourcing and declining &#8220;Made in America&#8221; products, Ruana Knives has been making and selling its wares in the same shop in Bonner, Montana for over 75 years. Rudy Ruana began making knives in the 1920&#8217;s when he was a farrier in the United States Cavalry.&nbsp; He made his first knives for Blackfeet Indians in need of a better tool for skinning horses.&nbsp; He continued to perfect his process, and opened his first shop in Bonner in the 1950&#8217;s.&nbsp; After he passed away in 1986, he was posthumously inducted into the American Bladesmith Society Hall of Fame. His son-in-law, Vic Hangas, and his grandsons Mark and Mike, carried on the business that Rudy started.&nbsp; They still use the same methods and much of the same equipment that Rudy invented half a century ago. Ruana knives are known in the industry as some of the most well crafted blades in America.&nbsp; Rudy&#8217;s older knives are coveted by collectors around the world.&nbsp; Knives that sold for $15 in the 1950&#8217;s now sell to collectors for as much as $3,500.&nbsp; This is truly original knife making, and this is a genuine story of a deep family tradition, rooted in old-fashioned Montana history.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2013-12-04T15:57:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[FREEZEOUT]]></title>
      <link>http://www.highplainsfilms.org/films/freezeout</link>
      <guid>http://www.highplainsfilms.org/films/freezeout</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/Freezeout_small.jpg" alt="" height="61" width="108" style="border: 0;" /> <p>A celebration of one of Montana&#8217;s ultimate birding locations, Freezeout Lake, near the spectacular Rocky Mountain Front.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2013-12-02T18:52:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[ALL THE LABOR]]></title>
      <link>http://www.highplainsfilms.org/films/all_the_labor</link>
      <guid>http://www.highplainsfilms.org/films/all_the_labor</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/web_thumbnail_2.jpg" alt="" height="61" width="108" style="border: 0;" /> <p>&#8220;Rousing, soulful. (4 stars out of 5: Excellent)&#8221; <em>MOJO</em> (UK)</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2012-04-29T17:14:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[THE RETURN]]></title>
      <link>http://www.highplainsfilms.org/films/the_return</link>
      <guid>http://www.highplainsfilms.org/films/the_return</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/The_Return1.jpeg" alt="" width="108" height="61" style="border: 0;" /> <p>In the late 1880s, the last wild bison were eradicated from the Great Plains of North America.&nbsp; Over 130 years later, a group of Native Americans, biologists, and concerned citizens finally realize the dream of returning genetically pure wild bison to their native land, and in so doing, return a cultural icon to Native people who thought it lost forever. THE RETURN is a follow-up to the feature-length documentary FACING THE STORM: STORY OF THE AMERICAN BISON. It documents the historic transfer of wild, genetically-pure bison from Yellowstone National Park to the Fort Peck tribes of northeastern Montana.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2012-04-27T03:04:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[THE SANCTUARY]]></title>
      <link>http://www.highplainsfilms.org/films/the_sanctuary</link>
      <guid>http://www.highplainsfilms.org/films/the_sanctuary</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail10.jpeg" alt="" width="108" height="60" style="border: 0;" /> <p>THE SANCTUARY is the story of one man&#8217;s struggle to repair a destructive and turbulent past.Â Â Larry Henry grew up in a world of poverty, domestic violence, and despair.&nbsp; As he sees it, the world around him is a reflection of his past&#8212;where the primeval forests of Appalachia, and the countless species they once contained, are largely destroyed.&nbsp; But rather than being paralyzed by his ghosts, Larry embarks on a controversial, decades-long project to restore what has been lost&#8212;and in so doing, to redeem his past.&nbsp; In a land virtually devoid of wilderness, he and some friends begin to buy up private developed land, rip out the houses and roads, and create a new American wilderness where none exists.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-05-07T23:36:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[FACING THE STORM:&nbsp; STORY OF THE AMERICAN BISON]]></title>
      <link>http://www.highplainsfilms.org/films/facing_the_storm</link>
      <guid>http://www.highplainsfilms.org/films/facing_the_storm</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/facing-the-storm-thumb.jpg" alt="null" width="108" height="60" style="border: 0;" /> <p>&#8220;Enlightening. FACING THE STORM is highly recommended for anyone with children (middle-school age and up) who are willing to learn how the West was really won and dang near ruined.&#8221;&nbsp; <em>Tallahassee Democrat</em> <!-- </p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-05-02T23:40:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[BUFFALO HUNT]]></title>
      <link>http://www.highplainsfilms.org/films/buffalo_hunt</link>
      <guid>http://www.highplainsfilms.org/films/buffalo_hunt</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/buffalo_hunt_thumb.jpeg" alt="" width="108" height="60" style="border: 0;" /> <p>BUFFALO HUNT observes the field harvesting of a bison on the Crazy Woman Bison Ranch in the Chalk Buttes of southeastern Montana.&nbsp;  Due to the fact that very few wild bison herds in North America that are allowed to be hunted, some people who desire their own bison meat choose this type of experience over purchasing ranched bison meat that may have been trucked to a slaughterhouse, or might have been fed on something other than grass, such as grain.&nbsp; Some, like the Crazy Woman Ranch, offer this service on several thousands of acres of private ranch land, where the animals have been raised on the land their whole lives.&nbsp; Others are more restrictive, and may involve bison that were raised in corrals and fed a diet of grain for much of their adult lives.&nbsp;   In a primarily observational style, BUFFALO HUNT documents the experience of two hunters from Idaho, and their enjoyment and emotional challenges associated with procuring their own food.&nbsp; BUFFALO HUNT is a co-production of High Plains Films and the Independent Television Service (ITVS).</p>

]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-26T04:24:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[BIG MEDICINE]]></title>
      <link>http://www.highplainsfilms.org/films/big_medicine</link>
      <guid>http://www.highplainsfilms.org/films/big_medicine</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/Big_Medicine.jpeg" alt="" width="108" height="60" style="border: 0;" /> <p>Documents a ceremony in 2006 to honor Big Medicine, a white buffalo born on the National Bison Range in 1933.&nbsp; White buffalo are sacred to many Native American tribes.&nbsp; The ceremony, carried out on the Flathead Indian Reservation in western Montana, involved the participation of 700 local school children, who formed the shape of a giant white bison.&nbsp; The Big Medicine art performance was designed and carried out by Daniel Dancer.&nbsp; Dancer has done dozens of these live-art performances around the country, which he calls &#8220;Art of the Sky&#8221;.&nbsp; Once the image is in place, Dancer takes photos of the art from a &#8220;cherry-picker&#8221; crane, preserving the image for posterity.&nbsp; BIG MEDICINE is a co-production of High Plains Films and the Independent Television Service (ITVS).</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-26T02:08:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[UNSEEN CRIMES]]></title>
      <link>http://www.highplainsfilms.org/films/unseen_crimes</link>
      <guid>http://www.highplainsfilms.org/films/unseen_crimes</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail13.jpeg" alt="" width="108" height="60" style="border: 0;" /> <p>Shot and edited during the 1999 WTO protests in Seattle, UNSEEN CRIMES features original footage by Joe Defelice and Dru Carr, that has rarely been seen. The film was unreleased until the 10th anniversary of the protests in December 2009.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-22T17:45:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[BRAVE NEW WEST]]></title>
      <link>http://www.highplainsfilms.org/films/brave_new_west</link>
      <guid>http://www.highplainsfilms.org/films/brave_new_west</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/Thumbnail.jpg" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;From its vast and stunning landscapes to the frontier mentality of its inhabitants, few regions inspire a stronger sense of place than the American West. Hell, even a mogul from Las Vegas has the wherewithal to realize that this just might be the Last Best Place. In any case, the West screams &#8216;story,&#8217; so it&#8217;s no surprise that its ranks have been and likely will always remain packed with storytellers of the highest order.&#8221; <em>Missoula Independent</em><!-- </p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-21T16:24:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[LIBBY, MONTANA]]></title>
      <link>http://www.highplainsfilms.org/films/libby_montana</link>
      <guid>http://www.highplainsfilms.org/films/libby_montana</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/libby.jpg" alt="null" width="108" height="60" style="border: 0;" /> <p>&#8220;Definitely deserves Oscar consideration.&#8221; <em>Illinois Times</em></p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-20T16:28:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[CAUGHT IN THE HEADLIGHTS]]></title>
      <link>http://www.highplainsfilms.org/films/caught_in_the_headlights</link>
      <guid>http://www.highplainsfilms.org/films/caught_in_the_headlights</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail.png" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;A quirky, poignant look at automobile culture and the animals it affects.&#8221;&nbsp; <em>www.DVDtalk.com</em><!-- </p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-17T18:06:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[POWDER RIVER COUNTRY]]></title>
      <link>http://www.highplainsfilms.org/films/powder_river_country</link>
      <guid>http://www.highplainsfilms.org/films/powder_river_country</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail6.jpg" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;Gripping, personal and socially relevant.&#8221; <em>DVDtalk.com</em><!-- </p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-17T17:09:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[THE RAVEN]]></title>
      <link>http://www.highplainsfilms.org/films/the_raven</link>
      <guid>http://www.highplainsfilms.org/films/the_raven</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail9.jpeg" alt="" width="108" height="60" style="border: 0;" /> <p>Ravens are widely-regarded as highly intelligent, cunning animals. THE RAVEN is High Plains Films&#8217; answer to MARCH OF THE PENGUINS - a contemplative short concerning the distant knowledge and mystery of the animal kingdom.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-17T16:18:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[AMERICAN VALUES, AMERICAN WILDERNESS]]></title>
      <link>http://www.highplainsfilms.org/films/american_values_american_wilderness</link>
      <guid>http://www.highplainsfilms.org/films/american_values_american_wilderness</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/american-values-wilderness-thumb.jpg" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;Inspiring and beautifully filmed.&#8221; <em>hometheatersound.com</em> <!-- </p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-16T17:21:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[STAR SPANGLED BLUES]]></title>
      <link>http://www.highplainsfilms.org/films/star_spangled_blues</link>
      <guid>http://www.highplainsfilms.org/films/star_spangled_blues</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail7.jpg" alt="" width="108" height="60" style="border: 0;" /> <p>STAR SPANGLED BLUES is an 8-minute essay film about family, peace, war, freedom, and American values.&nbsp; Written and narrated by documentarian Gita Saedi, the film was made during five days in March 2005 as part of the International Documentary Challenge, a timed filmmaking competition.&nbsp; Original score and title track by Ned Mudd. </p>

<p>&#8220;This thought-provoking film packs a lot into its eight-minute running time, discussing issues ranging from war and peace to the nature of freedom to what it means to be an American. The film presents intelligent commentary with artistic flair.&#8221; <em>Yahoo! Movies</em></p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-16T16:43:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[NIGHT ELEMENTS]]></title>
      <link>http://www.highplainsfilms.org/films/night_elements</link>
      <guid>http://www.highplainsfilms.org/films/night_elements</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail1.jpeg" alt="" width="108" height="60" style="border: 0;" /> <p>NIGHT ELEMENTS is a meditation on a fundamental human experience; fear of nightfall, darkness and violent weather. It embraces the valid, but unscientific, attitudes of people toward the environment and celebrates folk wisdom and the pure emotional response.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-16T16:21:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[AMERICA&#8217;S NATIONAL FORESTS]]></title>
      <link>http://www.highplainsfilms.org/films/americas_national_forests</link>
      <guid>http://www.highplainsfilms.org/films/americas_national_forests</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/americas-national-forests-thumb.jpg" alt="" width="108" height="60" style="border: 0;" /> <p>Written and narrated by Rick Bass, AMERICA&#8217;S NATIONAL FORESTS is a provocative essay film about the importance of the National Forest system. The documentary features the dramatic scenery and wildlife of the federal forests and covers land management issues.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-15T16:16:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[THIS IS NOWHERE]]></title>
      <link>http://www.highplainsfilms.org/films/this_is_nowhere</link>
      <guid>http://www.highplainsfilms.org/films/this_is_nowhere</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail5.jpg" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;With gentle humor and a keen eye for detail, Hawes-Davis offers a telling commentary on the American relationship with nature and the open road.&#8221; <em>All Movie Guide</em></p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-15T15:56:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[EL CABALLO: THE WILD HORSES OF NORTH AMERICA]]></title>
      <link>http://www.highplainsfilms.org/films/el_caballo</link>
      <guid>http://www.highplainsfilms.org/films/el_caballo</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/Thumbnail4.jpg" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;Highly recommended.&#8221; <em>Library Journal</em><!-- </p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-12T18:41:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[THE NATURALIST]]></title>
      <link>http://www.highplainsfilms.org/films/the_naturalist</link>
      <guid>http://www.highplainsfilms.org/films/the_naturalist</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail3.jpg" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;THE NATURALIST glistens through beautiful nature cinematography and a compelling look at the life of one man dedicated to observing and preserving the natural world around him.  It&#8217;s proof that a documentary can be both serious and entertaining.&#8221; <em>Herald-Times</em><!-- </p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-11T14:26:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[KILLING COYOTE]]></title>
      <link>http://www.highplainsfilms.org/films/killing_coyote</link>
      <guid>http://www.highplainsfilms.org/films/killing_coyote</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/killing_coyote.jpg" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;A startling documentary that gracefully manages to neither preach about animal rights nor avoid the difficult questions that surround the coyote in the West. Rather, the film vividly shows man&#8217;s relationship with this remarkable animal.&#8221; <em>Missoula Independent </em><!-- </p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-10T13:10:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[WILDLAND]]></title>
      <link>http://www.highplainsfilms.org/films/wildland</link>
      <guid>http://www.highplainsfilms.org/films/wildland</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail7.jpeg" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;Testifying that wild lands are places where &#8216;we stretch our soul at the same time that we stretch our arms,&#8217; the Sierra Club president and other eloquent supporters movingly express the importance of retaining untouched wilderness areas. Contrasting scenes of pristine mountains, forests and streams with smoking factories, bulldozed roads, and honking cars, this effective program makes a strong case for the preservation of the nation&#8217;s natural resources. Traveling across the country to survey the Rocky Mountains, Utah wilderness areas, and Florida Everglades among other locales, the filmmakers interview conservationists, Native Americans, and others who strongly advocate involvement in this important issue. This nicely shot program could spark discussion on grassroots involvement.&#8221; <em>Booklist</em></p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-08T21:54:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[WIND RIVER]]></title>
      <link>http://www.highplainsfilms.org/films/wind_river</link>
      <guid>http://www.highplainsfilms.org/films/wind_river</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail2.jpg" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;WIND RIVER is an expose of archaic water rights practices on the river of the same name, but manages to shed a kind of universal light on these same practices all over the West.&#8221; <em>Mountain Gazette </em><!-- </p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-07T08:18:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[THIS LAND IS YOUR LAND]]></title>
      <link>http://www.highplainsfilms.org/films/this_land_is_your_land</link>
      <guid>http://www.highplainsfilms.org/films/this_land_is_your_land</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail6.jpeg" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;Check out this eye-opener on the management of our National Forest lands. The folks at High Plains Films have put together an excellent film documenting the destruction of our public National Forest lands for corporate profit. Worse still is the fact that you subsidize this destruction of our public lands. Yes, it&#8217;s true tax-payer money subsidizes timber sales on our National Forests to the tune of between $300,000,000 and $870,000,000 per year. The film interviews politicians on both sides of the aisle, as well as former Forest Service personnel, biologists and others all demanding an end to this destructive corporate welfare. Pop this one in your VCR, then get out into your National Forest and speak up for public lands.&#8221; <em>Enlightenment Magazine</em></p>

<p>&#8220;I bet you think that the National Forest Service consists of the tree-hugging custodians of our national heritage, the 155 forests in the National Forest System, huh. Think again. They seem to be timber-hungry clear cutters, happy to build a road into virtually any virgin forest in pursuit of fresh board feet. This compelling documentary lays out some very simple facts so that anyone with half a brain can see the ruinous damage being wrought on our public lands. Witness the endless shots of bare hills stripped of gorgeous, lush forests. Listen to the professionals and experts give a step-by-step overview of just what occurs in a soon-to-be-decimated forest near you. But isn&#8217;t it a conservation verses jobs issue? Not really. The timber companies would be the first ones to get rid of their labor force the moment there&#8217;s a technological advance in automatic timber harvesting. Just look how quickly the auto industry replaced people with robots. Witness the power of a documentary to open eyes, move mountains, and maybe even save a forest.&#8221; <em>www.filmson.com </em></p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-06T11:08:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[THE PAPER COLONY]]></title>
      <link>http://www.highplainsfilms.org/films/the_paper_colony</link>
      <guid>http://www.highplainsfilms.org/films/the_paper_colony</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail5.jpeg" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;Hawes-Davis shows mechanical tree harvesters leveling stands of trees, dramatic aerial footage comparing the view from the air of mature forests and open clearcuts. The forest shots are interspersed with interviews of Maine loggers, foresters, sportsmen and northern Maine residents, most of whom oppose clearcutting, countered by comments from state and timber industry officials who defended the practice.&#8221; <em>Kennebec Journal </em><!-- </p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-05T09:18:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[VARMINTS]]></title>
      <link>http://www.highplainsfilms.org/films/varmints</link>
      <guid>http://www.highplainsfilms.org/films/varmints</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail1.jpg" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;Captivating.&#8221;&nbsp; <em>Indiewire</em></p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-04T10:32:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[GREEN ROLLING HILLS]]></title>
      <link>http://www.highplainsfilms.org/films/green_rolling_hills</link>
      <guid>http://www.highplainsfilms.org/films/green_rolling_hills</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail4.jpeg" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;From the disempowered, depressed communities of Appalachia to the global deforestation crisis, this is a video account of collusion between government officials and one multinational corporation.&#8221; <em>Affinity</em> </p>

<p>&#8220;Interviews with agency officials, local forest activists and often sad-but-true clips of locals allow the viewer to decide the fate of the regenerating forests of West Virginia and, indeed, the entire East.&#8221; <em>The Highlands Voice </em></p>

<p>&#8220;Hawes-Davis takes a pressing environmental and social issue and digs as objectively as possible to its root.&#8221; <em>Wild Mountain Times</em> </p>

<p>&#8220;High quality art and substance.&#8221;&nbsp; <em>Neil Seldman, President, Institute for Local Self Reliance </em></p>

<p>*** &#8220;The video work is excellent. The viewer gets an overview of the history of environmental exploitation of Appalachia.&#8221; <em>Video Rating Guide for Libraries</em> </p>

<p>&#8220;An absolutely fabulous piece of work.&#8221; Ted Williams, <em>Audubon</em> </p>

]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-04T05:47:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[SOUTHBOUND]]></title>
      <link>http://www.highplainsfilms.org/films/southbound</link>
      <guid>http://www.highplainsfilms.org/films/southbound</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail3.jpeg" alt="" width="108" height="60" style="border: 0;" /> <p>&#8220;SOUTHBOUND examines the pulp and paper industry&#8217;s move into the recovering hardwood forests of the Southeastern U.S.&#8221; <em>Earth First! Journal</em><!-- </p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-02T20:40:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[MINING SEVEN-UP PETE]]></title>
      <link>http://www.highplainsfilms.org/films/mining_seven_up_pete</link>
      <guid>http://www.highplainsfilms.org/films/mining_seven_up_pete</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail.jpeg" alt="" width="108" height="60" style="border: 0;" /> <p>MINING SEVEN-UP PETE is the story of the struggle to save the famed Blackfoot River in western Montana from what would be one of the largest cyanide heap-leach gold mines in North America.&nbsp; It documents the enduring but sad legacy of mining throughout the state of Montana: its cyanide-laced groundwater, acid mine drainage, and lost hope of a boom and bust economy. It speaks from the hearts and minds of real Montanans who are fighting to save a vanishing heritage.</p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-02T12:31:00+00:00</dc:date>
    </item>

    <item>
      <title><![CDATA[THE ELEMENT OF DOOM]]></title>
      <link>http://www.highplainsfilms.org/films/the_element_of_doom</link>
      <guid>http://www.highplainsfilms.org/films/the_element_of_doom</guid>
      <description><![CDATA[<img src="http://www.highplainsfilms.org/film-thumbnails/thumbnail2.jpeg" alt="" width="108" height="60" style="border: 0;" /> <p>THE ELEMENT OF DOOM is a story of corporate power and bureaucratic politics and their impact on the Ozark landscape and people.</p>

<p>&#8220;Simple grassroots media with a bluegrass soundtrack, stream footage taken from a tippy canoe, and lots of heads talking about lead.&#8221; <em>E Magazine</em></p>]]></description>
      <dc:subject><![CDATA[]]></dc:subject>
      <dc:date>2011-03-01T12:30:00+00:00</dc:date>
    </item>

    
    </channel>
</rss>